[LargeFormat] Angulon Answers

[Edward Meyers]

Sorry, difference with f/4.5 to f/8 is only one and one-third
stops, not two stops. Ed

On Tue, 9 Dec 2003, Jim Brick wrote:

> Uncle Dick,
>
> Be careful of f/8 wide angle lenses. They are dim. I own a 6.8 flat pancake
> Angulon. Only minimal movements possible. I then rented an f/8 90 Super
> Angulon. It's amazing how much visual light is lost around the edges of the
> ground glass with a 1/2 stop less light. This is why when I purchased real
> WA lenses, I went for the f/4.5 Grandagons. That's two stops brighter than
> f/8! What a freaking difference! WOW!
>
> Let there be light, by which, to see the image on the GG...
>
> :-)
>
> Nefu Jimmy
>
>
> At 09:15 PM 12/9/2003 +0800, rstein wrote:
> >Dear Nieces and Nephews,
> >
> >      Thank you for the advice regarding the Angulon question. I went out and
> >rented one of the little 6.8 flat pancake 90 mm.'s for a weekend dancer
> >shoot and it all worked out well. I was able to stack 11 of the dancers side
> >by side with a little echeloning in a very small space of studio and the
> >results on a 6 x 12 section of sheet film will make very good posters.
> >
> >      The project whetted my appetite for my own 90mm. I have contracted with
> >a chap in Montreal to purchase an f.8 90 Super Angulon and will see if I can
> >start to do bigger interiors. I have a bag bellows on the Linhof E that
> >seems to work.
> >
> >     Uncle Dick
>
>
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